Charleston Artist Arun Drummond Celebrates Gullah Culture Through Innovative Art Exhibitions

Charleston Embraces Gullah Culture Through Art: Spotlight on Arun Drummond

In the heart of Charleston, where the echoes of history blend with vibrant culture, a remarkable artist named Arun Drummond is making waves with his stunning mixed-media works that pay homage to the Gullah people. With the prestigious International African American Museum showcasing his talent and a pop-up exhibition set for December 13 at Miller Gallery, the buzz surrounding Drummond’s artistic journey has never been more palpable.

A Journey of Inspiration

Drummond’s creative path began quite serendipitously. Having spent over 15 years managing Gallery Chuma, he was immersed in the beauty of African American folk art daily. It was here that his passion for Gullah culture blossomed. “I had no formal art education, but this position ignited something within me,” Drummond shares. He has evolved remarkably over the years, transitioning from abstract styles to more representational works marked by clean lines and symmetry. Today, he often uses materials like sweetgrass baskets, woven by local families, in his acrylic paintings. His aim? To honor the rich culture and stories of the descendants of enslaved individuals who once inhabited the Sea Islands.

Collaboration and Community

Drummond’s commitment to cultural preservation extends beyond the canvas. He collaborates with three different basket-weaving families, ensuring that resources flow back into these communities. “When people ask if I’m Gullah, I proudly share my path as an advocate for Gullah preservation,” he says. The artist understands the importance of community, as he connects the art to its roots and history, making every piece resonate with the tales of its makers.

Symbolism in Every Stroke

As you delve deeper into Drummond’s artwork, you’ll notice profound themes rife with symbolism. “There are five main symbols in my art,” he explains. These include:

  • Separated heads represent the emotional disconnect many African Americans face.
  • Unfinished baskets signify the enduring nature of Gullah culture, suggesting it is ongoing and ever-evolving.
  • Natural hair serves as a symbol of survival and resistance, reflecting society’s perceptions of Black identity.
  • Fading figures symbolize the risk of Gullah culture fading into the background if not actively preserved.
  • Featureless faces ask viewers to reflect on the loss of individuality among African Americans.

These symbols not only convey powerful messages but also invite viewers to contemplate their own perceptions and understanding of culture and identity.

Success and Recognition

Drummond’s artistry recently received a significant accolade when his work was selected for the inaugural vendor cohort at the International African American Museum. “This is the biggest honor of my career so far,” he beams, excited about having his art seen in a space that truly respects and honors Gullah culture. The museum remains a beacon for preserving the history and narratives of African Americans, and being part of it is a profound achievement for the self-taught artist.

Upcoming Events and Future Projects

For those eager to experience Drummond’s work in person, he’s set to curate a thoughtful show at Miller Gallery on December 13. “I have been working on making this happen for a while, and I can’t wait for everyone to see it,” he shares. In April, he will present his largest solo exhibit to date, hosted by the McClellanville Arts Council, showcasing a retrospective of his 20 years of painting.

In a world where not many artists can sustain their passion as a livelihood, Arun Drummond stands out as a testament to the power of culture, community, and creativity. With every stroke of his brush, he continues to tell the stories that deserve to be heard and celebrated, all while inspiring others along the way. So mark your calendars for December 13 and step into the world of art that not only beautifies the walls but also enriches the heart.


Author: HERE Charleston

HERE Charleston

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