Charleston, S.C. — The College of Charleston’s Department of Theatre and Dance, along with CofC Stages, is set to premiere a striking adaptation of the classic novel Dracula this November. Directed by Evan Parry, this newest rendition reimagines Bram Stoker’s iconic story as a feminist revenge fantasy, aiming to give agency to its previously victimized female characters.
The adaptation, penned by playwright Kate Hamill, seeks to transform the original Victorian-era narrative in several key areas. Traditionally, Stoker’s novel presents female characters as mere victims who rely on male heroes, such as Dr. Van Helsing, for salvation. As Parry explains, “Bram Stoker’s original novel renders almost all female characters as victims in need of protection. These women aren’t enabled to protect themselves.”
However, in Hamill’s version, characters like Mina Harker are granted a new depth and fight back against the infamous vampire. This retelling not only showcases Mina mastering the art of combat, but also dives deeper into the backstories of Dracula’s brides, portraying their journeys from victims to empowered figures. The character of Dr. Van Helsing is also transformed into a woman with prior vampire-fighting experience, leading the charge alongside her female counterparts.
Parry notes that the adaptation incorporates contemporary issues, including elements of misogyny and consent. He highlights that Hamill’s female characters are faced with challenges that compel them to either succumb to assault or take bold action against their aggressors. This focus on empowerment resonates with today’s dialogues surrounding women’s rights and agency.
The production promises a visually and audibly captivating experience. Parry mentions the unique technical aspects of the play, particularly the sound design created by Theatre minor Amelia Hawke Tebalt. The design will blend pre-recorded audio with live sounds, enhancing the overall atmosphere of the performance.
The decision to stage the production in the Simons Center Black Box Theatre offers audiences an immersive view. With the audience surrounded on three sides of the stage, Parry expresses the need for creative staging that expertly guides the viewers’ focus, especially during scenes of violence: “We’ve had to be creative to find ways of staging scenes that help the audience see what we want them to and not what we want unseen.”
Performances of this innovative take on Dracula are scheduled at the Simons Center for the Arts from November 13 through 20. Evening shows will take place at 7:30 p.m., with a matinee on Sunday at 2 p.m., and a special 9 p.m. performance on the Friday of the run.
This adaptation offers Charleston audiences an opportunity to witness a beloved classic through a modern lens, complete with unexpected twists that challenge traditional gender roles. With its focus on women’s empowerment and dramatic storytelling, the College of Charleston’s production of Dracula is sure to captivate and provoke thought among viewers.
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